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Aasman, S. (2007). Gladly Breaking Bread: Religious repertoires and family film. Film History, 19(4), 361–371.
Abreu, M. J. A. de. (2005). Breathing into the heart of the matter: why Padre Marcelo needs no wings. Postscripts, 1(2–3), 325–349.
Adams, R. B. (2007). Mission (not) accomplished: Stanley Kubrick’s paths of light and darkness. Journal of Religion and Film, 11(1).
Adejoh, P. (2000). Nigeria and the emerging video-cinema industry : a critical-theological analysis.
Agboola, S. (1998). Concise principles for making high quality Christian films : a handbook for drama ministers. [Ilorin  Nigeria: Evom Publications.
Aichele, G. (2002). Screening scripture : intertextual connections between scripture and film. Harrisburg  Pa.: Trinity Press International.
Aichele, G. (2006). The possibility of error: Minority report and the gospel of Mark. Biblical Interpretation, 14(1–2), 143–157.
Aichele, G., & Walsh, R. (2011). Metamorphosis, transfiguration, and the body. Biblical Interpretation, 19(3), 253–275.
Allbritton, J. (2003). Religion and politics in films about the Vietnam war. [Gainesville, Fla.] : University of Florida,.
Allred, B. (2009). An investigation into the use of film and literature in the Christian education of children aged 10-12 years.
ALPINE MEDIEN PRODUCTIONS (FIRM). (2006). Love’s Abiding Joy. Beverly Hills  Calif.: 20th Century Fox Home Entertainment.
Ambrosiano, J. (1998). “The ties that bind and bless the soul” [electronic resource]: grace and noir in Schrader’s Light sleeper. Journal of Religion and Film, 2(2).
Anderson, P. L. (2004). The Gospel in Disney. Minneapolis, Minn.: Augsburg Books.
Anderson, M. R. (2006). Adaptation [electronic resource]: the self-proclaiming rhetoric of Charlie Kaufman and of the Apostle Paul. Journal of Religion and Popular Culture, 13.
Anderson, P. (1999). The Gospel according to Disney : Christian values in the early animated classics (1st ed.). La Canada  Calif.: Longfellow Pub.
Anderson, C. (2008). To “elevate unfortunate humanity” on-screen linking World War I and Protestant missions through silent film. Omaha, Neb. : University of Nebraska at Omaha, Dept. of Philosophy and Religion,.
Anglican Information Office (Sydney, N.S.W.). (1993). Bang, bang, you’re dead : a Christian response to screen violence. Sydney: Anglican Information Office.
Anker, R. M. (2004). Catching Light: Looking for God in the Movies. Grand Rapids, Mich: W.B. Eerdmans.
Anker, R. (2004). Catching light : looking for God in the movies. Grand Rapids  Mich: W.B. Eerdmans.
Anonymous. (2005). Reading the Gospels in the Dark: Portrayals of Jesus in Film. Interpretation, 59(1), 109.
Antler, S. (1997). Cinematic solutions to the “problem of evil” : modern film as theodicy.
Aryanto, I. K. (n.d.). Jesus di Hollywood.
Asay, P. (2012). God on the streets of Gotham : what the big screen Batman can teach us about God and ourselves. Carol Stream: Tyndale House Publishers.
Ascough, R. S. (2003). Symbolic power and religious impotence in Paul Verhoeven’s Spetters [electronic resource]. Journal of Religion and Film, 7(2).
Astell, A. W. (2006). New Perspectives on Mel Gibson’s The Passion of the Christ: Review Essay. Shofar, 25(1), 152–VII.
Aston, J., & Walliss, J. (2011). The (un)Christian road warrior [electronic resource]: the crisis of religious representation in The Book of Eli (2010). Journal of Religion and Film, 15(1).
Atwood, B. D. (1996). Book Notes -- Hollywood Dreams and Biblical Stories by Bernard Brandon Scott. Theology Today, 52(4), 558.
Avalos, H. (2009). Film and the apologetics of biblical violence [electronic resource]. Journal of Religion and Film, 13(1).
Avila, W. (2006). Diary of a country priest [electronic resource]: the transcendent on film. Journal of Religion and Film, 10(2).
Babington, B., & Evans, P. W. (1993). Biblical epics: sacred narrative in the Hollywood cinema. Manchester Univ Pr.
Bach, A. (1996). Biblical Glamour and Hollywood Glitz. Atlanta, GA: Scholars Press.
Bach, A. (1996). Biblical glamour and Hollywood glitz. Atlanta  GA: Scholars Press.
Bach, A. (1996). Calling the Shots : Directing Salomé’s Dance of Death. Semeia, (74), 103–126.
Badaracco, C. (2005). Quoting God: how media shape ideas about religion and culture. Baylor Univ Pr.
Baehr, T. (1991). Hollywood’s reel of fortune : a winning strategy to redeem the entertainment industry. Ft. Lauderdale  Fla.: Coral Ridge Ministries.
Baehr, T. (1989). The Christian family guide to movies & video. Brentwood  Tenn.: Wolgemuth & Hyatt.
Baehr, T. (1989). The Christian family guide to movies & video. Brentwood  Tenn.: Wolgemuth & Hyatt.
Baker, C. P. (2007). The persistence of the sacred in Baz Luhrmann’s Romeo + Juliet [electronic resource]. Journal of Religion and Film, 11(2).
Baker, D. P. (2002). TRANSCENDENTAL ARGUMENTS, THE TRUMAN SHOW AND ORIGINAL SIN. Journal of Theology for Southern Africa, 97–108.
Bakker, F. L. (2009). The Challenge of the Silver Screen: An Analysis of the Cinematic Portraits of Jesus, Rama, Buddha and Muhammad. Brill Academic Pub.
Bakker, F. L. (2007). Shanti Sandesham, a new Jesus film produced in India: Indian Christology in pictures. Exchange, 36(1), 41–64.
Bakker, F. L. (2009). The challenge of the silver screen: an analysis of the cinematic portraits of Jesus, Rama, Buddha and Muhammad (Vol. 1). Brill Academic Pub.
Bakker, F. L. (2004). The image of Jesus Christ in the Jesus films used in missionary work. Exchange, 33(4), 310–333.
Bakker, F. L. (2004). The Image of Jesus Christ in the Jesus Films Used in Missionary Work. Exchange, 33(4), 310–333.
Baldwin, B. R. 1968-(Brian R. (2006). Homer Goes to Hollywood Subverting Popular Media as a Discipleship Paradigm.
Ballan, J. N. (2010). Sanctuary Cinema: Origins of the Christian Film Industry. Journal of Religion and Popular Culture, 22(2), 1–2.
Bandy, M. (2003). The hidden God : film and faith. New York: Museum of Modern Art.
Barkman, A. (2010). The Challenge of the Silver Screen: An Analysis of the Cinematic Portraits of Jesus, Rama, Buddha and Muhammad. Journal of Religion and Popular Culture, 22(2), 1–2.
Barns, I. (2005). Human redemption in (and of) the matrix of technological modernity. Futures, 37(8), 867–880.
Barsotti, C. M., Johnston, R. K., & Ciaccio, P. (2005). Finding God in the Movies: 33 Films of Reel Faith. Journal of Religion and Popular Culture, 10, n/a.